Played: 2111 times

The Bells of Notre Dame // The Hunchback of Notre Dame

you can lie to yourself and your minions
you can claim they you haven’t a qualm
but you never can run from nor hide

what you’ve done from the eyes

the very eyes of  N o t r e  D a m e


assiest:

sex-doesnt-alarm-me:

assiest:

i am 41 cheetos tall 

Why did you think you needed to measure yourself in Cheetos?

we were out of doritos 



magic-disney:

shield-maiden-for-christ:

moistplinth03:

picture-of-sophisticated-grace:

No Sven, we're not going back. She's with her true love.
Best One Yet

I love these transitional gifs

BEST ONE YET




necessary zuko appreciation


untamableshipper:
Hi! Do you have any tips on drawing body figures? Especially the length of the legs? And do you have tips on drawing hands? Thanks!

makanidotdot:

Only way to learn figures is to look at them and draw them.  I’ve taken figure drawing and anatomy for artist classes in addition to drawing a lot.  Take them if you can!  And I fuck up legs more than anything because I don’t draw them enough.  Easy springboard though is searching for Andrew Loomis books.

Same with hands, though there are some fairly easy to describe formulas for hands so I drew up a couple rq

First of all, for probably 90% of the hand poses you’re gonna draw, think fingers like the petals on a pinwheel.  They all curve the same degree, in relation to the previous.  

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freeglassart:
You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!

makanidotdot:

Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:

1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.

First, just get down the big shapes of your expression, just like you would for a pose.  

So say I wanna do a low angle angry pose.  I know the features are gonna be all mashed down at the bottom because of perspective.

 Scribble it down

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start to put on features

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fix stuff

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put on more stuff

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fix stuff again

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erasing and flipping and stuff a whole bunch until you are happy with it or stop caring

Whole head is a gesture!image

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2. Just like a facial expression, jot down where the important parts of an entire pose goes first.  You can force the rest of the body to fit the pose.

So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face. 

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That’s the simplest explanation I got.  Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!


By my intimacy with nature I find myself withdrawn from man. My interest in the sun and the moon, in the morning and the evening, compels me to solitude.

— Henry David Thoreau


woodendreams:

(by Cinematic Photography)



bobbityhobbity:

Before you go hammering early seasons of LOK with the Feminist Baton of Righteous Disapproval, take a moment to recall that Katara was the only recurring female character in ATLA for all of Book 1 (unless you count Azula’s intro at the end of the finale). 


Anonymous:
do you ship ten and rose or eleven and river

tillthenexttimedoctor:

I ship the Doctor and Rose a bit, but the Doctor and River are my OTP. (I don’t really separate between different regenerations when it comes to shipping.)


littleulvar:

when it comes to specific poses I try to first draw the most basic shapes and movement lines and then gradually go into more and more details, like so:

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if you have difficulties with perspective, try drawing a perspective grid first:

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it’s nothing different than tips from other artists, but I hope it helped a little ;u;